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The meaning of the holiday varies eyes you look at it.

Arrive mid-year holidays, school holidays or work, and rest the idea takes hold of all minds, even though each are fewer and fewer that can do: run away as far as possible from the city and the daily routine is the dream of almost todos.Comenzando the XXI century, for many, including payaneses, leisure became forced by unemployment and lost all its appeal.

The meaning of the holiday varies eyes you look at it. For those who continue to wage a normal productive activity, such as the commercial sector, restaurants, copiers, among others, the holidays became a nightmare, in a time of enforced leisure and concern for the reduction of their work.

Many must put aside the rest and relaxation to prolong their working hours, as unemployment and family problems of the economy forces them to raise the money that will allow them to continue their work at the end holiday period, such as paying for college tuition.

Still, it may not be bad idea to fight to regain first sense of leisure, rest without demands, associated activities or justifications. That which our ancestors enjoyed in the afternoon nap and silence when the options were few, long time, and rest a safe destination.

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In Popayán, women took over the world.

The media have been creating since months ago the football environment required. Photographs, interviews and news published daily, and did so people are infected by the fever in Germany in 2006. But the World Cup not only generates passion, it is also causing despair among women who claim to be unhappy and fed up with the consequences of this global festival of football.

Popayán has also caught the World Cup party. The display on large screens or televisions, adequate in the cafes, restaurants, classrooms, among others, to attract followers of the world has become an important custom during this time.

factors for this growth in female attention on football is due, according to various studies, the "progressive popularity of the players, their appearances in advertising, impact their lives in the 'tabloids' and the change in how to watch the games, among mixed groups of friends. "The passion of football is the goal but also adds to it the faces and athletic bodies and players during World Cup this month distract the pupil of his followers. No matter how much we know how important football is that we recognize the best you have.

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Popayan white walls, colorful consciences.

Beyond the everyday ways of expressing the existence of being, in the midst of its own wars, joys, despair, love and daily urban routes, the graffiti appears as part of a new landscape that rises in Latin American cities like Popayan, where it is visible a style of graffiti that marks the need to reflect on the white walls of the city a social message, of the real, painful, unfair.

graffiti tattoo design is the hands of people motivated by faith, tenacity and the confidence of knowing that since the country builds resistance.

Writing on walls is just scratching blank in a city that has left the weight of your identity nuanced color which it assumes the features. However, the voices of its inhabitants converted to graphic expression of thin lines, jerky flight that shows its author, offers a glimpse of an everyday sense as opposed to the dynamics that the city has institutionalized as officers and fully shared.

is how the graffiti, as the statement that merges the individual with the group, in the context of the streets, neighborhoods, classrooms, university walls that little has little and without prior notice must able to accommodate the dreams of freedom, justice, love, hope and because of sad goodbyes but aware of a world that sometimes seems to offer nothing and instead if you steal what little or nothing that man has.

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THE Sotareño, a music venue and meeting in Popayan,

In one corner of the city of mud and lime. And under the dim lights of lanterns, behind the walls have fallen many times and has been necessary to re-raise, lies a place, among many others, telling a town frozen in time, between modernity and the past, appearing as a giant museum evocations. That place is "The Sotareño" a music venue and meeting in Popayan.

The Sotareño opens its doors in 1964 Sarria Augustine's hand, rather than aping the fashion and the yearning for progress that existed at that time in the big cities became a coffee place that hosted the affair, poetry, and music. After the earthquake of 1983 that destroyed much of Popayan, The Sotareño became "bar, soda fountain, where it was sold from coffee to sausage. But once customers asked for a brandy and was taken and opened the door to the tango, the bolero and ranchera, as well as the old vallenato and salsa.

's music hits The Sotareño with stories that are still in force: love, loss, reunion and longing. This content breaks into a time vacuum where the acoustic images are loaded happen themed romantic scenes.

The destruction of space does not take physical memories, and loves that there are nested. Although sadly we see the ravages caused by the flames that burned part of the material things that filled the place with joy to note that, like the Cathedral, the nose, Caldas park, among others, The Sotareño , managed to become a symbol for the city of Popayan.

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Colombia, a country without memory.

a country without memory is a country without rights. Colombia is a country without hope, a country that forgets its dead, who mocks his own misery, she sings of death and forget to live.

Of all the re-election in Colombia, three failed-Mosquera, Alfonso Lopez-Reyes and two became dictatorships-Bolívar and Núñez-and that of Rojas Pinilla, was thwarted before it starts. Only Manuel Murillo Toro ended without major impact or setbacks. And now Uribe, who appears as the only president of Colombia has done to amend the Constitution so as to his own re-election, is re-elected.

is impossible to believe, but it started to do, that Uribe through its policy of lies and death has received in the last elections, the support of the majority, of workers, who forgot to unionists have been killed or have disappeared from housewives who have turned to television in his great guru, displaced by violence and democratic security, for students who have become close observers of the public college for all Colombians without conscience who are looking to find a messiah to fix a country which is bleeding from the holes that caused the war.

Shadow Eco calls for tod @ s to not give you step to oblivion, do not repeat the same story, do not let us cut the wings before they have provided a public denunciation usado.Tomamos which has recently invaded the white walls of Popayan, in a country without a conscience "forward with fever and his circus of lies "

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The state should protect us, haunts us.

La María, Cauca municipality of Piendamó-dresses in tragedy. We demand respect for the inhabitants of the Colombian people exercising their right to social mobilization and protest and demand the cessation of attacks by the security forces against the lives of the demonstrators, as well as stop the damage materials which are caused as a form of repression to the complaint fairly.

are many reasons that have led us to encounter on the roads, streets, roads, etc., The various regions of our country to demand our rights, to recover our territories and reaffirm our commitment in the construction of a new national project. However, the pro-life project that is repressed by the armed forces that gas, guns and the law that gives the state, kills dreams trampled hopes, hurts a country that commitment to life.

But little by little grain by grain, they are increasingly more people, organizations, communities that have joined this call of conscience. All this is hard to see, understand, and resist change. It demands unity, creativity, intelligence, solidarity, commitment, sacrifice and hard work, but also much joy and desire to live as manifested in the Indigenous and Popular Mandate.

Eco Shadow recounts what happened in the framework of the Summit of social organizations in order to raise a voice of protest for more voices join to say no to a conflict legitimized by the State.

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El Cauca, territory of struggle and resistance.

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the worker does not put God as punishment

work according to the definition provided by the current dictionary is a "work, duty, respect and responsibility that must be done to achieve a particular purpose and for which payment is made. " However, for men and women who daily toil in the world, work is a way to contribute to growth, strengthening and excellence of life on a planet that each required more days but almost never provide what is necessary.

in Popayan, the labor dynamics not only affect the economy of the city, but also identifies ways to use and occupy space, directions and senses of immediate perception, which is why every job, however simple this may seem, serves a significant role in building the identity of a city that can no longer deny that much of its stability due to the informal jobs and the many and varied ways to make money honestly in the streets, plazas, parks, neighborhoods and even in public transport.

jobs as a shoemaker, shoe shine, bookseller, Lotero, carter, bulteador, selling candy or cellular minutes, still opposed to the split between the worker and the work each day takes more tenacity and that thanks to the need for men to improve their quality of life, complete immersion in an uncertain future uncertain reality, capable of becoming a machine of production and consumption. Eco

wanted the shadows to take this opportunity to highlight the work of those with their hands and hearts daily build a better country, a more active and real Popayán than that shown on postcards. For all those men, women, elderly and children is our tribute.

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Popayán, the city of migrants.

Migration can be defined as the process of population movement, collectively or individually, either international or across borders within of a country. Migration encompasses any type of displacement, refugees, people displaced by natural disasters or armed conflict, uprooted and economic migrants or those seeking new opportunities open trying to access basic services like education.

Migrants bring with them much of their own culture and lifestyle, which is why Popayán has become a multicultural city that is constantly changing the significance of everyday practices that are narrated with a new language.

Students from many parts of Colombia have contributed to a unique synthesis of many different cultures has become the city of Popayan.

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Popayán Holy Week: the one who prays and sins, push. How

season's famous Holy Week in Popayán is one of the experiences that teach themselves and countless strangers plans offered by the city. From the processions and crafts as part of religious tourism, and trade and rumba.

The s processions revive trade, conspicuous consumption, display, all subtly introduced in the midst of the religious atmosphere. That's why we wonder if the Holy Week in Popayán was passion, death or resurrection or else passion, rumba and reguetton. The tradition of Popayan is summarized in the adage: the one who prays and sins, push.

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What color is the skin of the Popayán who dresses white?

Popayán, a city known nationally and internationally for the majesty with which he presents his Easter processions, is also a city during this religious festival lives greatly concerned by the facade that strives to make up well in advance. However, the residents of the city are aware that the image projected of Popayan this week, is not the same as the accompanying over other times of year, because every day often find a city that evidence its walls over the various marches whose members met in their whiteness the perfect place to exercise their right to free expression.

Regarding the normally noisy streets, steeped in commerce, working children and men and women who extend their hand for a coin, are usually converted to Easter in a long, rambling exhibition hall occupied by crafts, paintings and various culinary presentations. But ... just when it ends this religious festival around the world returns to his daily occupation. Many probably took the "Holy Week" to reflect and find peace and inner harmony, but others on the contrary, attending fun what about this time becomes the longest bridge, the street up and down.

Eco Shadow

done on this occasion a brief look at the Popayán that embellishes and is adorned only to welcome visitors who wish to see the processions of Holy Week and has relegated the importance of spiritual devotion to a few conservative women who visit the church to repent and pray for them and for all who have already forgotten how to do . We speak here of the same Popayán who fears the deterioration of its image, because he knows that under the lime dressing walls lies a city of humble people who know the neglect of the powerful, a city that is always dressed in gala but almost always covered in distress and needs.

Eco
This time Shadow had valuable contributions: Juan Cristobal de la Torre, Head of Cultural Heritage Division of the University of Cauca, Victoria Coronado, Regional Attorney of Cauca, Maritza Ramirez and Ricardo Ramírez, students at the University of Cauca. In addition to the documents provided by: The National Museum of Colombia , The Ministry of Culture and the Journal "From Below" .

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For a more human city in the service of children

Colombia appears before our eyes as a nation crossed by several problems that one way or another inevitably affect the children. Economic exploitation of children related to work, once again demonstrates the growing inequality, social injustice and dehumanization that permeate the environments that develops the majority of children.

Popayán is clear that this problem is also present, just that usually remains hidden or is it the same people that which instructed to ignore, either by a lack of address the problem of children exploited at work or feel powerless because this actually prefer to look in another direction.

That's why on this occasion, Eco Shadow been interested in showing that child exploitation in the workplace, not just a situation faced by countries which the children are employed as miners, fishermen, cargeros, etc., but this truth is active against us, is reflected in the market squares, in parks, at traffic lights in order in the streets of a Popayán that look both structures have forgotten to stop in front of the little faces that run through leaving aside the study and the games themselves at their young age.


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One night walking to Popayan ...

Eco Shadow provides an account of a society that had been invisible in the eyes of Popayán . A society that inhabits the night and through the streets with a solitary and individual character that characterizes the recycler, which shows the situation of poverty, lack of social policies, social intolerance, among other things.

The night appears to be the antithesis of the day. For It has confined only be a short time because they ventured outside the active life of citizens, remain in the collective imagination of break time and shelter to the possible danger caused by the invisibility that produces the dark.

However, there are many characters that emerge at that time. Time for work, to weave stories and dreams, to find ways to survive in a city individualistic, which censors the other spaces, spaces of difference.
is why we have gathered some evidence that recreate the nightlife they have been relegated recyclers and those who clean the city, because at night the city is purified from the ravages of the royal city.

History of recyclers in Colombia, has no historical record to establish its inception, the country until the early nineteen 50as, in the twentieth century, was at 70% rural, political violence unleashed the field resulted in the deaths of thousands of peasants, leaving widows and orphans product of this violence, which no other option migrated to cities as a population without employment opportunities; found in the garbage a way to survive.

Popayán phenomenon in response to something similar, demand grows and the city becomes.

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Popayán, a city beyond the nostalgia. Eco

structures, environment, activities and customs of Popayan, the colonial city, founded in the mid-sixteenth century, a period where it was considered important administrative and commercial center have changed.

The city, beyond being conceived as an urban entity with high population density, which is dominated mainly manufacturing and services, today discovered a symbolic network in constant construction and expansion, a view that has been built urban studies, for example, through the urban imaginary raised by Armando Silva.

Popayán

is narrated no longer with the nostalgia of the poets who see the change, the destruction of his ideal city, however, is becoming Popayán narrated by men and women of flesh and bone that make use of spaces and internalization where life develops.

historians and poets have taken as an object of study and as a muse to inspire a lively city, which survives in the middle of the suburbs, that of smoke trails that lead to broken dreams, sounds quiet but to deafen, Hollow-faced and screaming for no echo.

The city that never existed, but we always dreamed of it was starting to become real.

To further explore the issue we have invited the historian Charles Sicard and the poet and writer Felipe García Quintero who will give us different views from its city vision.

__________________ Felipe García Quintero, poet and writer. Teaching Social Communication Program at the University of Cauca.

Charles Sicard, historian and professor at the Universidad del Cauca.

Behind the white walls lurks another city. Discover it Eco Shadow.

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The physical structure represents a city, but not defined. The grammar of a city, its symbols, characters, etc. replace representations showing the physical dimension built.

Today the city recovers the citizen point of view, from where each person reads it, gets up in the affections, is the place of enunciation or maybe just a mood.

Because

Popayán is much more than the urban metaphor that have created the white walls, that intimacy that evokes the yellow light of their lanterns, to the ghost town of the imagination and nostalgia,

Echo of Shadows is planning on the things unseen, but live, and tries to show and live a city marked with voices and scripts, with dynamic, accurate subjects and events that tell through a discourse that is constantly renewing itself.

Eco Shadow tells the city through the use journalistic genres such as the chronicle, the story, life stories, among others, will be accompanied by photographs that rescue the face of the other part of the city.

All this is combined in a speech renewed every week, the same will be done this by means of a radio embedded in the page, on which construction can contribute to rescuing the faces of the shadow and making your call transferred to the echo.