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Popayan white walls, colorful consciences.

Beyond the everyday ways of expressing the existence of being, in the midst of its own wars, joys, despair, love and daily urban routes, the graffiti appears as part of a new landscape that rises in Latin American cities like Popayan, where it is visible a style of graffiti that marks the need to reflect on the white walls of the city a social message, of the real, painful, unfair.

graffiti tattoo design is the hands of people motivated by faith, tenacity and the confidence of knowing that since the country builds resistance.

Writing on walls is just scratching blank in a city that has left the weight of your identity nuanced color which it assumes the features. However, the voices of its inhabitants converted to graphic expression of thin lines, jerky flight that shows its author, offers a glimpse of an everyday sense as opposed to the dynamics that the city has institutionalized as officers and fully shared.

is how the graffiti, as the statement that merges the individual with the group, in the context of the streets, neighborhoods, classrooms, university walls that little has little and without prior notice must able to accommodate the dreams of freedom, justice, love, hope and because of sad goodbyes but aware of a world that sometimes seems to offer nothing and instead if you steal what little or nothing that man has.