Thursday, January 29, 2009

Can I Prepare Pancake Batter

Enrique Santos and tango: History



My songs are like this: I'm walking along Corrientes and I see a tango in the ear. First, it occurs to me the letter, ie the issue. The issue starts spinning me in the head for several days. Until suddenly I'm sitting in a coffee table, reading at home or walking down the street and starts ringing in the ear the music that corresponds to a state of mind, this situation of tango. And here I am presented tragedy because I was not listening. At the piano, I take just four notes. I learned violin and a half years and I never could play fairly well. and of course, do not write music. When the tango begins to whistle in my ear, I run to find a friend write it for me. Many times, I can not find right away. And here begins the desperation for these notes (the notes which suddenly presented to me) do not go. Then I begin to sing. And I'm singing them out loud. While going down the street and everyone stop looking at me like a madman. While this in a cafe and all the tables will turn to me. At that moment, nothing matters to me. The only thing that worries me is that I can not escape my tango. Retain with the song until my friend comes to tie me to write ... And so until the tango is fixed on paper. But the origin of tango is always the street. So I go in the city trying to get into his soul, imagining in my sensitivity to what that man or girl who passed would listen, what would sing a happy or painful moment of their lives. Enrique Santos
Discépolo.

-His bio-

Discépolo Deluchi Enrique Santos, known as Discepolín, was a composer, musician, playwright and filmmaker Argentina. Born in the Once neighborhood of Buenos Aires on 27 March 1901 and died on November 23, 1951. Consisted mainly tango, being one of them: "That vachaché", "Yira ... Yira ...";" That toad lord ";" Cambalache "" Dream of Youth "among others ...

-Tango-

Tango is a style of music and dance rioplatense clearly urban in nature and international renown. Classically interpreted by orchestra or sextet and recognizes the bandoneon as its essential tool. The choreography, designed from the embrace with a partner, is very sensual and complex. The letters are made based on known local slang slang and often expressed sadness, especially "the things of love" that men feel and village women, a fact that matches him in some way with the blues, but this is an impediment to the treatment of other issues, including humorous and political.

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